The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America and Europe by James Kendall Hosmer
page 81 of 258 (31%)
page 81 of 258 (31%)
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Cut with her golden oars the silver stream,"
and "Look where Beatrice like a lapwing runs." Pedro got to perfection his turn and gesture in "The wolves have preyed; and look, the gentle day, Before the wheels of Phoebus, round about Dapples the drowsy east with spots of gray." With the rough comedy of Dogberry and the watchmen, that foils so well the sad tragedy of poor Hero's heart-breaking, and contrasts in its blunders with the diamond-cut-diamond dialogue of Benedick and Beatrice, there was less difficulty. From first to last, it was engrossing labour, as hard for the trainer as the trained, yet still delightful work; for what is a conscientious manager, but an artist striving to perfect a beautiful dramatic picture? The different personages are the pieces for his mosaic, who, in emphasis, tone, gesture, by-play, must be carved and filed until there are no flaws in the joining, and the shading is perfect. But all was ready at last, from the roar of Dogberry at the speech of Conrade, "Away! you're an ass! you're an ass!" to the scarcely articulate agony of Hero when she sinks to the earth at her lover's sudden accusation, "O Heavens! how am I beset! |
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