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The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America and Europe by James Kendall Hosmer
page 81 of 258 (31%)
Cut with her golden oars the silver stream,"

and

"Look where Beatrice like a lapwing runs."

Pedro got to perfection his turn and gesture in

"The wolves have preyed; and look, the gentle day,
Before the wheels of Phoebus, round about
Dapples the drowsy east with spots of gray."

With the rough comedy of Dogberry and the watchmen, that foils so well
the sad tragedy of poor Hero's heart-breaking, and contrasts in
its blunders with the diamond-cut-diamond dialogue of Benedick and
Beatrice, there was less difficulty. From first to last, it was
engrossing labour, as hard for the trainer as the trained, yet still
delightful work; for what is a conscientious manager, but an artist
striving to perfect a beautiful dramatic picture? The different
personages are the pieces for his mosaic, who, in emphasis, tone,
gesture, by-play, must be carved and filed until there are no flaws
in the joining, and the shading is perfect. But all was ready at last,
from the roar of Dogberry at the speech of Conrade,

"Away! you're an ass! you're an ass!"

to the scarcely articulate agony of Hero when she sinks to the earth
at her lover's sudden accusation,

"O Heavens! how am I beset!
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