The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America and Europe by James Kendall Hosmer
page 86 of 258 (33%)
page 86 of 258 (33%)
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with thread of silver. Golden embroideries intertwine
in capricious arabesques, costumes, jewels, appointments so extraordinarily rich that the stage seems a mine of glory. The fashionable world of our time has little taste for such pleasures. This old splendour we cannot produce; but the words which the magnificent lords and ladies spoke to one another as they blazed, were those that make up the Poetry of Fletcher's _Faithful Shepherdess_, Ben Jonson's _Sad Shepherd_, and, finest of all, the _Comus_ of Milton. They are the most matchless frames of language in which sweet thoughts and fancies were ever set. After all, before this higher beauty, royal pomp even seems only a coarse excrescence, and all would be better if the accessories of the rendering were very simple. Already in my mind is the grove for _Comus_ designed; the mass of green which shall stand in the centre, the blasted trunk that shall rise for contrast to one side, and the vine that shall half conceal the splintered summit, the banks of wild-flowers that shall be transferred, the light the laboratory shall yield us to make all seem as if seen through enchanter's incense. I have in mind the sweet-voiced girl who shall be the lost lady and sing the invocation to Sabrina; the swart youth who shall be the magician and say the lines, "At every fall, smoothing the raven down Of darkness till it smiled"; and the golden-haired maid who shall glide in and out in silvery attire, as the attendant spirit. Come, Fastidiosus,--I shall invite too the editors of _David's Harp_,--and you shall all own the |
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