her father. It was put on one side. Now came the period of his early
manhood, when various affairs of the heart must either be concealed or
revealed; here again Mrs. Hilbery was of two minds, and a thick packet
of manuscript was shelved for further consideration.

Several years were now altogether omitted, because Mrs. Hilbery had
found something distasteful to her in that period, and had preferred
to dwell upon her own recollections as a child. After this, it seemed
to Katharine that the book became a wild dance of will-o'-the-wisps,
without form or continuity, without coherence even, or any attempt to
make a narrative. Here were twenty pages upon her grandfather's taste
in hats, an essay upon contemporary china, a long account of a summer
day's expedition into the country, when they had missed their train,
together with fragmentary visions of all sorts of famous men and
women, which seemed to be partly imaginary and partly authentic. There
were, moreover, thousands of letters, and a mass of faithful
recollections contributed by old friends, which had grown yellow now
in their envelopes, but must be placed somewhere, or their feelings
would be hurt. So many volumes had been written about the poet since
his death that she had also to dispose of a great number of
misstatements, which involved minute researches and much
correspondence. Sometimes Katharine brooded, half crushed, among her
papers; sometimes she felt that it was necessary for her very
existence that she should free herself from the past; at others, that
the past had completely displaced the present, which, when one resumed
life after a morning among the dead, proved to be of an utterly thin
and inferior composition.

The worst of it was that she had no aptitude for literature. She did
not like phrases. She had even some natural antipathy to that process