Katharine, thus, was a member of a very great profession which has, as
yet, no title and very little recognition, although the labor of mill
and factory is, perhaps, no more severe and the results of less
benefit to the world. She lived at home. She did it very well, too.
Any one coming to the house in Cheyne Walk felt that here was an
orderly place, shapely, controlled--a place where life had been
trained to show to the best advantage, and, though composed of
different elements, made to appear harmonious and with a character of
its own. Perhaps it was the chief triumph of Katharine's art that Mrs.
Hilbery's character predominated. She and Mr. Hilbery appeared to be a
rich background for her mother's more striking qualities.

Silence being, thus, both natural to her and imposed upon her, the
only other remark that her mother's friends were in the habit of
making about it was that it was neither a stupid silence nor an
indifferent silence. But to what quality it owed its character, since
character of some sort it had, no one troubled themselves to inquire.
It was understood that she was helping her mother to produce a great
book. She was known to manage the household. She was certainly
beautiful. That accounted for her satisfactorily. But it would have
been a surprise, not only to other people but to Katharine herself, if
some magic watch could have taken count of the moments spent in an
entirely different occupation from her ostensible one. Sitting with
faded papers before her, she took part in a series of scenes such as
the taming of wild ponies upon the American prairies, or the conduct
of a vast ship in a hurricane round a black promontory of rock, or in
others more peaceful, but marked by her complete emancipation from her
present surroundings and, needless to say, by her surpassing ability
in her new vocation. When she was rid of the pretense of paper and
pen, phrase-making and biography, she turned her attention in a more