There was much to be said both for and against Mr. Rodney's paper. It
had been crammed with assertions that such-and-such passages, taken
liberally from English, French, and Italian, are the supreme pearls of
literature. Further, he was fond of using metaphors which, compounded
in the study, were apt to sound either cramped or out of place as he
delivered them in fragments. Literature was a fresh garland of spring
flowers, he said, in which yew-berries and the purple nightshade
mingled with the various tints of the anemone; and somehow or other
this garland encircled marble brows. He had read very badly some very
beautiful quotations. But through his manner and his confusion of
language there had emerged some passion of feeling which, as he spoke,
formed in the majority of the audience a little picture or an idea
which each now was eager to give expression to. Most of the people
there proposed to spend their lives in the practice either of writing
or painting, and merely by looking at them it could be seen that, as
they listened to Mr. Purvis first, and then to Mr. Greenhalgh, they
were seeing something done by these gentlemen to a possession which
they thought to be their own. One person after another rose, and, as
with an ill-balanced axe, attempted to hew out his conception of art a
little more clearly, and sat down with the feeling that, for some
reason which he could not grasp, his strokes had gone awry. As they
sat down they turned almost invariably to the person sitting next
them, and rectified and continued what they had just said in public.
Before long, therefore, the groups on the mattresses and the groups on
the chairs were all in communication with each other, and Mary
Datchet, who had begun to darn stockings again, stooped down and
remarked to Ralph:

"That was what I call a first-rate paper."