a courtyard, with its flagged pavement, and its single tree, and
across to the flat red-brick fronts of the opposite houses, which
would not have surprised Dr. Johnson, if he had come out of his grave
for a turn in the moonlight. Rodney lit his lamp, pulled his curtains,
offered Denham a chair, and, flinging the manuscript of his paper on
the Elizabethan use of Metaphor on to the table, exclaimed:

"Oh dear me, what a waste of time! But it's over now, and so we may
think no more about it."

He then busied himself very dexterously in lighting a fire, producing
glasses, whisky, a cake, and cups and saucers. He put on a faded
crimson dressing-gown, and a pair of red slippers, and advanced to
Denham with a tumbler in one hand and a well-burnished book in the
other.

"The Baskerville Congreve," said Rodney, offering it to his guest. "I
couldn't read him in a cheap edition."

When he was seen thus among his books and his valuables, amiably
anxious to make his visitor comfortable, and moving about with
something of the dexterity and grace of a Persian cat, Denham relaxed
his critical attitude, and felt more at home with Rodney than he would
have done with many men better known to him. Rodney's room was the
room of a person who cherishes a great many personal tastes, guarding
them from the rough blasts of the public with scrupulous attention.
His papers and his books rose in jagged mounds on table and floor,
round which he skirted with nervous care lest his dressing-gown might
disarrange them ever so slightly. On a chair stood a stack of
photographs of statues and pictures, which it was his habit to