humoredly pointing to the yellow-covered volume beneath Mr. Clacton's
arm, for he invariably read some new French author at lunch-time, or
squeezed in a visit to a picture gallery, balancing his social work
with an ardent culture of which he was secretly proud, as Mary had
very soon divined.

So they parted and Mary walked away, wondering if they guessed that
she really wanted to get away from them, and supposing that they had
not quite reached that degree of subtlety. She bought herself an
evening paper, which she read as she ate, looking over the top of it
again and again at the queer people who were buying cakes or imparting
their secrets, until some young woman whom she knew came in, and she
called out, "Eleanor, come and sit by me," and they finished their
lunch together, parting on the strip of pavement among the different
lines of traffic with a pleasant feeling that they were stepping once
more into their separate places in the great and eternally moving
pattern of human life.

But, instead of going straight back to the office to-day, Mary turned
into the British Museum, and strolled down the gallery with the shapes
of stone until she found an empty seat directly beneath the gaze of
the Elgin marbles. She looked at them, and seemed, as usual, borne up
on some wave of exaltation and emotion, by which her life at once
became solemn and beautiful--an impression which was due as much,
perhaps, to the solitude and chill and silence of the gallery as to
the actual beauty of the statues. One must suppose, at least, that her
emotions were not purely esthetic, because, after she had gazed at the
Ulysses for a minute or two, she began to think about Ralph Denham. So
secure did she feel with these silent shapes that she almost yielded
to an impulse to say "I am in love with you" aloud. The presence of