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Punch, or the London Charivari, Volume 99, October 25, 1890 by Various
page 39 of 46 (84%)
we have a splendid view of the Winter Palace, and what I took to be
the Kremlin at Moscow. On one side is the house of a money-lender,
and on the other the shelter afforded to a drosky-driver and his
starving family. The author, whose name must be BUCHANANOFF (though he
modestly drops the ultimate syllable), gives as a second title to this
portion of his wonderful work, "The Dirge for the Dead." It is very
appropriate. A student, whose funds are at the lowest ebb, commits a
purposeless murder, and a "pope" who has been on the look-out no doubt
for years, seizes the opportunity to rush into the murdered man's
dwelling, and sing over his inanimate body a little thing of his own
composition. Anyone who has been in Russia will immediately recognise
this incident as absolutely true to life. Amongst my own acquaintance
I know three priests who did precisely the same thing--they are called
BROWNOFF, JONESKI, and ROBINSONOFF.

Next we have the Palace of the _Princess Orenburg_, and make the
acquaintance of _Anna Ivanovna_, a young lady who is the sister of the
aimless murderer, and owner of untold riches. We are also introduced
to the Head of Police, who, as everyone knows, is a cross between a
suburban inspector, a low-class inquiry agent, and a _flaneur_ moving
in the best Society. We find, too, naturally enough, an English
_attaché_, whose chief aim is to insult an aged Russian General, whose
_sobriquet_ is, "the Hero of Sebastopol." Then the aimless murderer
reveals his crime, which, of course, escapes detection save at the
hands of _Prince Zosimoff_, a nobleman, who I fancy, from his name,
must have discovered a new kind of tooth-powder.

Next we have the "Interior of a Common Lodging House," the counterpart
of which may be found in almost any street in the modern capital of
Russia. There are the religious pictures, the cathedral immediately
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