member of the guild of professional writers. I had done much business
with publishers on behalf of my mother, and some for other persons,
and talked glibly of copyrights, editions, and tokens.

(I fancy, by the by, that the latter term has somewhat fallen out of
use in these latter days, whether from any change of the methods used
by printers or publishers I do not know. But it strikes me that many
youngsters, even of the scribbling tribe, may not know that the phrase
"a token" had no connection whatever with signs and wonders of any
sort, but simply meant two hundred and fifty copies.)

And being thus equipped, I began to think that it was time that I
should attempt _a book_. During a previous hurried scamper in Normandy
I had just a glimpse of Brittany, which greatly excited my desire to
see more of it. So I pitched on a tour in Brittany as the subject of
my first attempt.

Those were happy days, when all the habitable globe had not been
run over by thousands of tourists, hundreds of whom are desirous of
describing their doings in print--not but that the notion, whether
a publisher's or writer's notion, that new ground is needed for the
production of a good and amusing book of travels, is other than a
great mistake. I forget what proposing author it was, who in answer
to a publisher urging the fact that "a dozen writers have told us all
about so and so," replied, "But _I_ have not told you what _I_ have
seen and thought about it." But if I had been the publisher I should
at once have asked to see his MS. The days when a capital book may be
written on a _voyage autour de ma chambre_ are as present as ever they
were. And "A Summer Afternoon's Walk to Highgate" might be the subject
of a delightful book if only the writer were the right man.