paper make a little box so that a little roll of it can be stored in one
end, and drawn forward as required beneath a piece of glass.

Bearing in mind that your table of exposures is calculated for the best
spring light, go to the country some bright day next month with
note-book, actinometer, and the necessary appliances for exposing a few
plates. Select, say, an open landscape, and use your smallest stop. When
all ready to expose, get out your actinometer and expose it to the
reflected light of the sky for ten seconds (if the sun is shining, turn
your back to it, and keep the actinometer in your own shadow); then put
it in your pocket, expose a plate according to your table, and in case
the light or plate should not be just in accordance with the conditions
under which the table was prepared, expose other two plates, one a little
less and one a little more than that first exposed. Then note down
everything you have done--kind of view, stop, speed of plate, exposure of
each plate, and length of exposure of actinometer.

When you get home, the first thing to do is to get hold of a paint box
and paint the underside of the glass of your actinometer to match the
darkened paper. Do this by gas light. Then scrape away a little of the
paint, so as to let a strip of the paper be seen below it. After this
develop your three plates with a developer of normal strength, and see
which is best. If you have chosen a really bright spring day, and are
using plates of medium rapidity, you will most likely find that exposed
according to the table just about right.

Now let us see how we can use these aids in our field work. We have
ascertained the correct exposure with a given stop on one class of view,
with light of a given quality, but now suppose all these conditions
altered. Let the view have heavy foliage coming close up to the camera,