embroidered; her lovely arms adorned with bracelets of diamonds, and
her broad girdle set round with diamonds; upon her head a rich Turkish
handkerchief of pink and silver, her own fine black hair hanging a
great length in various tresses, and on one side of her head some
bodkins of jewels. I am afraid you will accuse me of extravagance
in this description. I think I have read somewhere that women always
speak in rapture when they speak of beauty, but I cannot imagine why
they should not be allowed to do so. I rather think it virtue to be
able to admire without any mixture of desire or envy. The gravest
writers have spoken with great warmth of some celebrated pictures
and statues. The workmanship of Heaven certainly excels all our weak
imitations, and, I think, has a much better claim to our praise. For
me, I am not ashamed to own I took more pleasure in looking on the
beauteous Fatima, than the finest piece of sculpture could have given
me.

She told me the two girls at her feet were her daughters, though she
appeared too young to be their mother. Her fair maids were ranged
below the sofa, to the number of twenty, and put me in mind of the
pictures of the ancient nymphs. I did not think all nature could have
furnished such a scene of beauty. She made them a sign to play and
dance. Four of them immediately began to play some soft airs on
instruments between a lute and a guitar, which they accompanied
with their voices, while the others danced by turns. This dance
was very different from what I had seen before. Nothing could
be more artful.... The tunes so soft!--the motions so
languishing!--accompanied with pauses and dying eyes! half-falling
back, and then recovering themselves in so artful a manner.... I
suppose you may have read that the Turks have no music but what is
shocking to the ears; but this account is from those who never heard