Account of a Tour in Normandy, Volume 2 by Dawson Turner
page 160 of 300 (53%)
page 160 of 300 (53%)
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fortification. According to the learned Abbé de la Rue, however, and he
is a most competent authority, no real fortification ever existed here; but the castle was raised in conformity to the caprice of Girard de Nollent, the wealthy owner of the property, who flourished towards the beginning of the sixteenth century.--Girard de Nollent's mansion is now occupied by a farmer. It has four fronts. The windows are square-headed, and surrounded by elegant mouldings; but the mullions have been destroyed. One medallion yet remains over the entrance; and it is probable that the walls were originally covered with ornaments of this kind. Such, at least, is the case with the towers and walls, which, surrounding the dwelling, have given it a castellated aspect. The circular tower nearest the gate forms the subject of the accompanying sketch: it is dotted on all sides with busts in basso-relievo, enclosed in medallions, and of great diversity of character. One is a frowning warrior, arrayed in the helmet of an emperor of the lower empire; another, is a damsel attired in a ruff; a third, is a turbaned turk. The borders of the medallions are equally diversified: the _cordelière_, well known in French heraldry, the vine-leaf, the oak-leaf, all appear as ornaments. The battlements are surmounted with two statues, apparently Neptune, or a sea-god, and Hercules. These heathen deities not being very familiar to the good people of Caen, they have converted them, in imagination, into two gens-d'armes, mounting guard on the castle; and hence it is frequently called the _Château de la Gendarmerie_. Some of the busts are accompanied by inscriptions--"Vincit pudicitiam mors;" "Vincit amor pudicitiam;" "Amor vincit mortem;" and all seem to be either historical or allegorical. The battlements of the curtain-wall are ornamented in the same manner. The farther tower has less decoration, and is verging to decay. I have given these details, because the castle of Calix is a specimen of a style of which we have no fair parallel in England, and the workmanship is far from being |
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