Upon the return of a successful war party, the relatives meet them
at the gate of the town and compel them to climb the _sangap;_
[10] then invitations are sent out to friends and relatives in
neighboring towns to come and aid in the celebration of the victory
(p. 140). When they arrive at the entrance of the village they are
met by the townspeople, who offer them liquor and then conduct them
to the houses where they feast and dance to the music of _gansas_
(p. 126). [11] Finally the captured heads are stuck on the _sagang_
[12] and are placed by the gate, the spring, and, if sufficient in
number, surround the town (p. 140). Taking the heads of one's neighbors
does not appear to be common, yet cases are mentioned where visitors
are treacherously killed at a dance (pp. 78, 83).

The use of poison [13] is twice mentioned. In one case the victims
are killed by drinking liquor furnished by the father of the girl
about whose head they are dancing (pp. 148, 156).

Bamboo spears appear to be used, but we are explicitly told that
they fought with steel weapons, and there are frequent references to
headaxes, spears, and knives (pp. 65, 76, 120).

Marriage appears generally to be negotiated by the mother of the youth
at his suggestion (p. 128). At times both his parents go to the girl's
home, and after many preliminaries broach the subject of their mission
(p. 128). The girl's people discuss the proposition, and if they are
favorable they set a day for the _pakálon_--a celebration at which the
price to be paid for the bride is decided upon (p. 49). The parents
of the groom then return home after having left some small present,
such as a jar or an agate bead, as a sign of engagement (p. 128)
[14]. The _pakálon_ is held a few days later at the girl's home,