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Recollections of a Long Life - An Autobiography by Theodore Ledyard Cuyler
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landlord said to me, "A few minutes ago he went by here in his little
carriage." The next morning I called upon him. The walk to his cottage
was delightful, with the dew still lingering in the shady nooks by the
roadside, and the morning songs of thanksgiving bursting forth from
every grove. At the summit of a deeply shaded hill I found "Rydal Mount"
cottage. I was shown, at once, into the sitting-room, where I found him
with his wife, who sat sewing beside him. The old man rose and received
me graciously. By his appearance I was somewhat startled. Instead of a
grave recluse in scholastic black, whom I expected to see, I found an
affable and lovable old man dressed in the roughest coat of blue with
metal buttons, and checked trousers, more like a New York farmer than an
English poet. His nose was very large, his forehead a lofty dome of
thought, and his long white locks hung over his stooping shoulders; his
eyes presented a singular, half closed appearance. We entered at once
into a delightful conversation. He made many inquiries about Irving,
Mrs. Sigourney and our other American authors, and spoke, with great
vehemence, in favor of an international copyright law. He said that at
one time he had hoped to visit America, but the duties of a small office
which he held (Distributer of Stamps), and upon which he was partly
dependent, prevented the undertaking. He occasionally made a trip to
London to see the few survivors of the friends of his early days, but he
told me that his last excursion had proved a wearisome effort. His
library was small but select. He took down an American edition of his
works, edited by Professor Reed, and told me that London had never
produced an edition equal to it. When I was about to leave, the good old
poet got his broad slouched hat and put on his double purple glasses to
protect his eyes, and we went out to enjoy the neighboring views. We
walked about from one point to another and kept up a lively
conversation. He displayed such a winning familiarity that, in the
language of his own poem, we seemed
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