195. _Edinburgh Castle from the Grass Market_. D. Roberts. A fine picture
of the associated sublimities of nature and art.

208. _The Ettrick Shepherd in his Forest Plaid_. J.W. Gordon. Correct in
likeness, but strangely shadowed.

224. _Coronation of William IV_. The first picture of a series to
represent the procession to the Abbey on the day of the Coronation of his
present Majesty, containing the portraits of distinguished personages who
attended on that occasion.--Painted for his Majesty, by R.B. Davis. This
picture occupies comparatively as much length on the walls as its
description would in our columns: it is some yards long, and perhaps four
feet in height. It is but hastily painted. The framework is excellent, and
well appointed for St. James's, Windsor, or Buckingham Palace. We hope the
_picture_ will be liked there as well as the frame.

244. _Elizabeth relieving the Exile_, by Miss A. Beaumont, is an
interesting picture, from the well-remembered incident in the _Exiles of
Siberia._

296. _Interior of a Gaming-house_. H. Pidding. We take this to represent
one of the _salons_ of Frescati's, or other Parisian gaming-house, where
females are admitted to participate in the game, and witness the madness
and folly of the stronger sex. The party are chiefly about a _rouge et
noir_ table, and are in the highest stage of recklessness. One of them, a
female, has flung herself from the lure across a chair, apparently in the
last stage of wretchedness and despair. The excitement of the players is
powerfully wrought up and contrasted with the _sang froid_ of the
_croupier_, who seems to treat all the world as a ball. Other persons are