Contemporary American Novelists (1900-1920) by Carl Van Doren
page 49 of 146 (33%)
page 49 of 146 (33%)
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to the function of compost for succeeding harvests of romance. Though
probably but one or two of Mr. Churchill's books--perhaps not even one--can be expected to outlast a generation with much vitality, he cannot be denied the honor of having added something agreeable if imponderable to the national memory and so of having served his country in one real way if not in another. 3. ROBERT HERRICK If the novels of Robert Herrick were nothing else they would still be indispensable documents upon that first and second decade of the twentieth century in America, when a minority unconvinced by either romance or Roosevelt set out to scrutinize the exuberant complacence which was becoming a more and more ominous element in the national character. Imperialism, running a cheerful career in the Caribbean and in the Pacific, had set the mode for average opinion; the world to Americans looked immense and the United States the most immense potentiality in it. Small wonder then that the prevailing literature gave itself generally to large proclamations about the future or to spacious recollections of the past in which the note was hope unmodified. Small wonder either--be it said to the credit of literature--that the same period caused and saw the development of the most emphatic protest which has come from native pens since the abolition of slavery--not excepting even the literary rebels of the eighties. Much of that protest naturally expressed itself in fiction, of many orders of intelligence and competence and intention. Various voices have been louder or shriller or sweeter or in some cases more thoroughgoing than Mr. Herrick's; but his is the voice which, in |
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