their innumerable virtues in the Congress of their country without his
even dreaming what affectionate game they are at. This from the creator
of Penrod, who at the comical age of twelve so often lays large plans
for proving to the heedless world that he, too, has been a hero all
along! In somewhat happier hours Mr. Tarkington wrote _Monsieur
Beaucaire_, that dainty romantic episode in the life of Prince
Louis-Philippe de Valois, who masquerades as a barber and then as a
gambler at Bath, is misjudged on the evidence of his own disguises,
just escapes catastrophe, and in the end gracefully forgives the
gentlemen and ladies who have been wrong, parting with an exquisite
gesture from Lady Mary Carlisle, the beauty of Bath, who loves him but
who for a few fatal days had doubted. This from the creator of William
Sylvanus Baxter, who at the preposterous age of seventeen imagines
himself another Sydney Carton and after a silent, agonizing,
condescending farewell goes out to the imaginary tumbril!

Just such postures and phantasms of adolescence lie behind all Mr.
Tarkington's more serious plots--and not merely those earlier ones which
he constructed a score of years ago when the mode in fiction was
historical and rococo. Van Revel in _The Two Van Revels_, convinced and
passionate abolitionist, nevertheless becomes as hungry as any
fire-eater of them all the moment Polk moves for war on Mexico, though
to Van Revel the war is an evil madness. In _The Conquest of Canaan_
Louden plays Prince Hal among the lowest his town affords, only to mount
with a rush to the mayoralty when he is ready. _The Guest of Quesnay_
takes a hero who is soiled with every vileness, smashes his head in an
automobile accident, and thus transforms him into that glorious kind of
creature known as a "Greek god"--beautiful and innocent beyond belief or
endurance. _The Turmoil_ is really not much more veracious, with its
ugly duckling, Bibbs Sheridan, who has ideas, loves beauty, and writes