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The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 476, February 12, 1831 by Various
page 42 of 52 (80%)
qualified for so poetical an exercise of ingenuity. He commenced with
"England;" but, unfortunately, did not live to complete a Second Series;
neither had he the gratification of seeing his design fully appreciated
by the public. The "Romantic Annals of England," on their first
appearance, made but slow progress in popularity: the author trusted,
and the publisher hoped, and, to use a publishing phrase, the work
gradually made its way--slow but sure--if we may judge from the
wished-for "new editions." How unlike is this course of favour to the
blaze of fashionable annals, or novels of high life, that are born and
die in a day, or with one reading circle of a subscription library. They
strut and fume in the publisher's newspaper puffs; but their light is
put out within a few brief hours, and they are laid to sleep on the
capacious shelves of the publisher's warehouse. Not so with the Tales of
Historical Romance: they have fancy enough to embellish sober fact.

The _second_ series--_Spain_--is from a Spanish hand of some
pretension, but less power than that of Mr. Neele.

The _third_ series--_France_--by another hand, is now before us.
In his advertisement, the author says, when he undertook the present
series, "he proposed to himself to fulfil what 'the Romance of History'
seemed to require, by presenting a succession of romantic pictures
illustrative of the historical manners of the French Nation." We incline
to his conception of the task. He further notes that "he has taken pains
to go for information to the original sources of French History. These
he found in reasonable abundance, in the old Collegiate Library of Caen,
and in the British Museum." There are in the Series nineteen Tales,
with historical summaries where requisite for their elucidation.
The titles are irresistible invitations--as Bertha, or the Court
of Charlemagne--Adventures of Eriland--the Man-Wolf--the Phantom
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