which, in fact, was not written for him, and is rather high. The thought
of it was at first quite horrible; I could not hear of it. At last
I promised, when the opera was completed, if I had time enough, it should
be done; and now this grand scena, a confounded battle piece and what
not, is lying before me, and I am about to set to work, yet with the
greatest reluctance. What can I do? Braham knows his public, and is
idolized by them. But for Germany I shall keep the opera as it is.
I hate the air I am going to compose (to-day I hope) by anticipation.
Adieu, and now for the battle. * * * * So, the battle is over, that is
to say, half the scene. To-morrow shall the Turks roar, the French shout
for joy, the warriors cry out victory!"

The battle was, indeed, nearly over with Weber. The tired forces of
life, though they bore up gallantly against the enemy, had long been
wavering at their post, and now in fact only one brilliant movement
remained to be executed before they finally retreated from the field
of existence. This was the representation of Oberon, which for a time
rewarded him for all his toils and vexations. He records his triumph
with a mixture of humility, gratitude, affection, and piety.


"12th April, 1826.

"My best beloved Caroline! Through God's grace and assistance, I have
this evening met with the most complete success. The brilliancy and
affecting nature of the triumph is indescribable. God alone be thanked
for it! When I entered the orchestra, the whole of the house, which was
filled to overflowing, rose up, and I was saluted with huzzas, waving
of hats and handkerchiefs, which I thought would never have done. They
insisted on encoring the overture. Every air was interrupted twice or