at the window. And now the children played merrily beside the pond, and
the girl seemed quite content that her brother should be the more clever
at the sport, and that he should boast of it and grow quite excited over
it; indeed, she manifestly tried to be less clever at it, than she
really was, for the stones she threw almost always plumped down to the
bottom as soon as they struck the water--for which she got properly
laughed at by her companion. In the excitement of the sport the children
quite forgot where they were and why they had come there--and yet it was
a strange and sorrowful occasion.

In the house, which was now so tightly locked up, there had lived, but a
short time before, one Josenhans, with his wife and their two children,
Amrei (Anna Marie) and Damie (Damien). The father was a woodcutter in
the forest, and was, moreover, an adept at various kinds of work; the
house, which was in a dilapidated state when he bought it, he had
himself repaired and reroofed, and in the autumn he was going to
whitewash it inside--the lime was already lying prepared in the trench,
covered with withered branches. His wife was one of the best
day-laboring women in the village--ready for anything, day and night, in
weal and in woe; for she had trained her children, especially Amrei, to
manage for themselves at an early age. Industry and frugal contentment
made the house one of the happiest in the village. Then came a deadly
sickness which snatched away the mother, and the following evening, the
father; and a few days later two coffins were carried away from the
little house. The children had been taken immediately into the next
house, to "Coaly Mathew," and they did not know of their parents' death
until they were dressed in their Sunday clothes to follow the bodies.

Josenhans and his wife had no near relations in the place, but there
was, nevertheless, loud weeping heard, and much mournful praise of the