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Old and New Masters by Robert Lynd
page 13 of 264 (04%)
his suit." On discovering, to his amazement, that Elizabeth is offended
rather than overwhelmed by his condescension, he defends himself warmly.
"Disguise of every sort," he declares, "is my abhorrence. Nor am I
ashamed of the feelings I related. They were natural and just. Could you
expect me to rejoice in the inferiority of your connections? To
congratulate myself on the hope of relations whose condition in life is
so decidedly beneath my own?"

It is perfectly true that Darcy and Emma Woodhouse are the butts of Miss
Austen as well as being among her heroes and heroines. She mocks
them--Darcy especially--no less than she admires. She loves to let her
wit play about the egoism of social caste. She is quite merciless in
deriding, it when it becomes overbearing, as in Lady Catherine de
Bourgh, or when it produces flunkeyish reactions, as in Mr. Collins. But
I fancy she liked a modest measure of it. Most people do. Jane Austen,
in writing so much about the sense of family and position, chose as her
theme one of the most widespread passions of civilized human nature.

She was herself a clergyman's daughter. She was the seventh of a family
of eight, born in the parsonage at Steventon, in Hampshire. Her life
seems to have been far from exciting. Her father, like the clergy in her
novels, was a man of leisure--of so much leisure, as Mr. Cornish reminds
us, that he was able to read out Cowper to his family in the mornings.
Jane was brought up to be a young lady of leisure. She learned French
and Italian and sewing: she was "especially great in satin-stitch." She
excelled at the game of spillikins.

She must have begun to write at an early age. In later life, she urges
an ambitious niece, aged twelve, to give up writing till she is sixteen,
adding that "she had herself often wished she had read more and written
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