and the night behind_,--and under me the waves." In Faust, the wings of
the mind follow the setting sun; in Webster, they follow the rising sun;
but the thought of each circumnavigates the globe, in joyous
companionship with the same centre of life, light, and heat,--though the
suggestion which prompts the sublime idea is widely different. The
sentiment of Webster, calmly meditating on the heights of Quebec,
contrasts strangely with the fiery feeling of Faust, raging against the
limitations of his mortal existence. A humorist, Charles Dickens, who
never read either Goethe or Webster, has oddly seized on the same
general idea: "The British empire," as he says, in one of his
novels,--"on which the sun never sets, and where the tax-gatherer never
goes to bed."

This celebrated image of the British "drum-beat" is here cited simply to
indicate the natural way in which all the faculties of Webster are
brought into harmonious co-operation, whenever he seriously discusses
any great question. His understanding and imagination, when both are
roused into action, always cordially join hands. His statement of facts
is so combined with the argument founded on them, that they are
interchangeable; his statement having the force of argument, and his
argument having the "substantiality" which properly belongs to
statement; and to these he commonly adds an imaginative illustration,
which gives increased reality to both statement and argument. In rapidly
turning over the leaves of the six volumes of his Works, one can easily
find numerous instances of this instinctive operation of his mind. In
his first Bunker Hill oration, he announces that "the _principle_ of
free governments adheres to the American soil. It is bedded in it,
immovable as its mountains." Again he says: "A call for the
representative system, wherever it is not enjoyed, and where there is
already intelligence enough to estimate its value, is perseveringly