for conscious or unconscious hoaxing. You see a spook in Castle
Dangerous. You then recognise the portrait in the hall, or elsewhere.
The temptation to recognise the spook rather more clearly than you
really do, is considerable, just as one is tempted to recognise the
features of the Stuarts in the royal family, of the parents in a baby,
or in any similar case.

Nothing is more common in literary ghost stories than for somebody to
see a spectre and afterwards recognise him or her in a portrait not
before seen. There is an early example in Sir Walter Scott's
Tapestried Chamber, which was told to him by Miss Anna Seward.
Another such tale is by Theophile Gautier. In an essay on Illusions
by Mr. James Sully, a case is given. A lady (who corroborated the
story to the present author) was vexed all night by a spectre in
armour. Next morning she saw, what she had not previously observed, a
portrait of the spectre in the room. Mr. Sully explains that she had
seen the portrait _unconsciously_, and dreamed of it. He adds the
curious circumstance that other people have had the same experience in
the same room, which his explanation does not cover. The following
story is published by the Society for Psychical Research, attested by
the seer and her husband, whose real names are known, but not
published. {76}

THE VISION AND THE PORTRAIT

Mrs. M. writes (December 15, 1891) that before her vision she had
heard nothing about hauntings in the house occupied by herself and her
husband, and nothing about the family sorrows of her predecessors
there.