The Earlier Work of Titian by Claude Phillips
page 47 of 100 (47%)
page 47 of 100 (47%)
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would therefore come in rather before than after the sojourn at Padua
and Vicenza. The intention has been not so much to emphasise the tragic character of the motive as to exhibit to the highest advantage the voluptuous charm, the languid indifference of a Venetian beauty posing for Herod's baleful consort. Repetitions of this _Herodias_ exist in the Northbrook Collection and in that of Mr. R.H. Benson. The latter, which is presumably from the workshop of the master, and shows variations in one or two unimportant particulars from the Doria picture, is here, failing the original, reproduced with the kind permission of the owner. A conception traceable back to Giorgione would appear to underlie, not only this Doria picture, but that _Herodias_ which at Dorchester House is, for not obvious reasons, attributed to Pordenone, and another similar one by Palma Vecchio, of which a late copy exists in the collection of the Earl of Chichester. Especially is this community of origin noticeable in the head of St. John on the charger, as it appears in each of these works. All of them again show a family resemblance in this particular respect to the interesting full-length _Judith_ at the Hermitage, now ascribed to Giorgione, to the over-painted half-length _Judith_ in the Querini-Stampalia Collection at Venice, and to Hollar's print after a picture supposed by the engraver to give the portrait of Giorgione himself in the character of David, the slayer of Goliath.[26] The sumptuous but much-injured _Vanitas_, which is No. 1110 in the Alte Pinakothek of Munich--a beautiful woman of the same opulent type as the _Herodias_, holding a mirror which reflects jewels and other symbols of earthly vanity--may be classed with the last-named work. Again we owe it to Morelli[27] that this painting, ascribed by Crowe and Cavalcaselle--as the _Herodias_ was ascribed--to Pordenone, has been with general acceptance classed among the early works of Titian. The popular _Flora_ of the Uffizi, a beautiful thing still, though all the bloom of its beauty has been effaced, must be placed rather later in |
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