"And you are masters in Israel, and know not these things; and you
require a voice from the world of literature to tell them to you!
Those who ask nothing better than to remain silent on such topics, who
have to quit their own sphere to speak of them, who cannot touch them
without being reminded that they survive those who touched them with
far different power, you compel, in the mere interest of letters, of
intelligence, of general culture, to proclaim truths which it was your
function to have made familiar. And when you have thus forced the very
stones to cry out, and the dumb to speak, you call them singular
because they know these truths, and arrogant because they declare
them!"[1]

In political discussion as in all other forms of criticism Arnold aimed
at disinterestedness. "I am a Liberal," he says in the Introduction to
_Culture and Anarchy_, "yet I am a Liberal tempered by experience,
reflection, and self-renouncement." In the last condition he believed
that his particular strength lay. "I do not wish to see men of culture
entrusted with power." In his coolness and freedom from bitterness is to
be found his chief superiority to his more violent contemporaries. This
saved him from magnifying the faults inseparable from the social
movements of his day. In contrast with Carlyle he retains to the end a
sympathy with the advance of democracy and a belief in the principles of
liberty and equality, while not blinded to the weaknesses of Liberalism.
Political discussion in the hands of its express partisans is always
likely to become violent and one-sided. This violence and one-sidedness
Arnold believes it the work of criticism to temper, or as he expresses
it, in _Culture and Anarchy_, "Culture is the eternal opponent of the
two things which are the signal marks of Jacobinism,--its fierceness and
its addiction to an abstract system."