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Selections from the Prose Works of Matthew Arnold by Matthew Arnold
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perpetually kept down, in order not to impair the grandiose effect of
the whole. The terrible old mythic story on which the drama was founded
stood, before he entered the theatre, traced in its bare outlines upon
the spectator's mind; it stood in his memory, as a group of statuary,
faintly seen, at the end of a long and dark vista: then came the poet,
embodying outlines, developing situations, not a word wasted, not a
sentiment capriciously thrown in: stroke upon stroke, the drama
proceeded: the light deepened upon the group; more and more it revealed
itself to the riveted gaze of the spectator: until at last, when the
final words were spoken, it stood before him in broad sunlight, a model
of immortal beauty. This was what a Greek critic demanded; this was
what a Greek poet endeavored to effect. It signified nothing to what
time an action belonged. We do not find that the _Persæ_ occupied a
particularly high rank among the dramas of Æschylus because it
represented a matter of contemporary interest: this was not what a
cultivated Athenian required. He required that the permanent elements of
his nature should be moved; and dramas of which the action, though taken
from a long-distant mythic time, yet was calculated to accomplish this
in a higher degree than that of the _Persæ_, stood higher in his
estimation accordingly. The Greeks felt, no doubt, with their exquisite
sagacity of taste, that an action of present times was too near them,
too much mixed up with what was accidental and passing, to form a
sufficiently grand, detached, and self-subsistent object for a tragic
poem. Such objects belonged to the domain of the comic poet, and of the
lighter kinds of poetry. For the more serious kinds, for _pragmatic_
poetry, to use an excellent expression of Polybius,[12] they were more
difficult and severe in the range of subjects which they permitted.
Their theory and practice alike, the admirable treatise of Aristotle,
and the unrivalled works of their poets, exclaim with a thousand
tongues--"All depends upon the subject; choose a fitting action,
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