Selections from the Prose Works of Matthew Arnold by Matthew Arnold
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page 32 of 400 (08%)
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perpetually kept down, in order not to impair the grandiose effect of
the whole. The terrible old mythic story on which the drama was founded stood, before he entered the theatre, traced in its bare outlines upon the spectator's mind; it stood in his memory, as a group of statuary, faintly seen, at the end of a long and dark vista: then came the poet, embodying outlines, developing situations, not a word wasted, not a sentiment capriciously thrown in: stroke upon stroke, the drama proceeded: the light deepened upon the group; more and more it revealed itself to the riveted gaze of the spectator: until at last, when the final words were spoken, it stood before him in broad sunlight, a model of immortal beauty. This was what a Greek critic demanded; this was what a Greek poet endeavored to effect. It signified nothing to what time an action belonged. We do not find that the _Persæ_ occupied a particularly high rank among the dramas of Æschylus because it represented a matter of contemporary interest: this was not what a cultivated Athenian required. He required that the permanent elements of his nature should be moved; and dramas of which the action, though taken from a long-distant mythic time, yet was calculated to accomplish this in a higher degree than that of the _Persæ_, stood higher in his estimation accordingly. The Greeks felt, no doubt, with their exquisite sagacity of taste, that an action of present times was too near them, too much mixed up with what was accidental and passing, to form a sufficiently grand, detached, and self-subsistent object for a tragic poem. Such objects belonged to the domain of the comic poet, and of the lighter kinds of poetry. For the more serious kinds, for _pragmatic_ poetry, to use an excellent expression of Polybius,[12] they were more difficult and severe in the range of subjects which they permitted. Their theory and practice alike, the admirable treatise of Aristotle, and the unrivalled works of their poets, exclaim with a thousand tongues--"All depends upon the subject; choose a fitting action, |
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