The Queen of the Air - Being a Study of the Greek Myths of Cloud and Storm by John Ruskin
page 22 of 152 (14%)
page 22 of 152 (14%)
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preciousness in the winds of heaven is carried out in the well-known
sequel of the fable: Æolus gives them to Ulysses, all but one, bound in leathern bags, with a glittering cord of silver; and so like bags of treasure that the sailors think they are so, and open them to see. And when Ulysses is thus driven back to Æolus, and prays him again to help him, note the deliberate words of the king's refusal,--"Did I not," says he, "send thee on thy way heartily, that thou mightest reach thy country, thy home, and whatever is dear to thee? It is not lawful for me again to send forth favorably on his journey a man hated by the happy gods." This idea of the beneficence of Æolus remains to the latest times, though Virgil, by adopting the vulgar change of the cloud island into Lipari, has lost it a little; but even when it is finally explained away by Diodorus, Æolus is still a kind-hearted monarch, who lived on the coast of Sorrento, invented the use of sails, and established a system of storm signals. 20. Another beneficent storm-power, Boreas, occupies an important place in early legend, and a singularly principal one in art; and I wish I could read to you a passage of Plato about the legend of Boreas and Oreithyia,* and the breeze and shade of the Ilissus--notwithstannding its severe reflection upon persons who waste their time on mythological studies; but I must go on at once to the fable with which you are all generally familiar, that of the Harpies. * Translated by Max Müller in the opening of his essay on "Comparative Mythology."--Chips from a German Workshop, vol. ii. This is always connected with that of Boreas or the north wind, because |
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