the rose tribe, as in the budding of the almond rod of Aaron; or of the
olive tribe, which has triple significance in this symbolism, from the
use of its oil for sacred anointing, for strength in the gymnasium, and
for light. Hence, in numberless divided and reflected ways, it is
connected with the power of Hercules and Athena: Hercules plants the wild
olive, for its shade, on the course of Olympia, and it thenceforward
gives the Olympic crown of consummate honor and rest; while the prize at
the Panathenaic games is a vase of its oil (meaning encouragement to
continuance of effort); and from the paintings on these Panathenaic vases
we get the most precious clue to the entire character of Athena. Then to
express its propagation by slips, the trees from which the oil was to be
taken were called "Moriai," trees of division (being all descendents of
the sacred one in the Erechtheum). And thus, in one direction, we get to
the "children like olive plants round about thy table" and the olive
grafting of St. Paul; while the use of the oil for anointing gives chief
name to the rod itself of the stem of Jesse, and to all those who were by
that name signed for his disciples first in Antioch. Remember, further,
since that name was first given the influence of the symbol, both in
extreme unction and in consecration of priests and kings to their "divine
right;" and thing, if you can reach with any grasp of thought, what the
influence on the earth has been, of those twisted branches whose leaves
give gray bloom to the hillsides under every breeze that blows from the
midland sea. But, above and beyond all, think how strange it is that the
chief Agonia of humanity, and the chief giving of strength from heaven
for its fulfilment, should have been under its night shadow in Palestine.

39. Thirdly, Athena is the air in its power over the sea.

On the earliest Panathenaic vase known--the "Burgon" vase in the British
museum--Athena has a dolphin on her shield. The dolphin has two