doubt, two of the canvases mentioned by Vasari, we must assume that
though they bore Giulio's name as _chef d'atelier_, he did little work
on them himself. In the Mantuan catalogue contained in d'Arco's
_Notizie_ they were entered thus:--"Dieci altri quadri, dipintovi un
imperatore per quadro a cavallo--opera di mano di Giulio Romano" (see
_The Royal Gallery of Hampton Court_, by Ernest Law, 1898).]

[Footnote 22: The late Charles Yriarte in a recent article, "Sabionneta
la petite Athènes," published in the _Gazette des Beaux Arts_, March
1898, states that Bernardino Campi of Cremona, Giulio's subordinate at
the moment, painted the Twelfth _Cæsar_, but adduces no evidence in
support of this departure from the usual assumption.]

[Footnote 23: See "The Picture Gallery of Charles I.," _The Portfolio_,
October 1897, pp. 98, 99.]

[Footnote 24: Nos. 529-540--Catalogue of 1891--Provincial Museum of
Hanover. The dimensions are 0.19 _c._ by 0.15 _c._]

[Footnote 25: Of all Pordenone's exterior decorations executed in Venice
nothing now remains. His only works of importance in the Venetian
capital are the altar-piece in S. Giovanni Elemosinario already
mentioned; the _San Lorenzo Giustiniani_ altar-piece in the Accademia
delle Belle Arti; the magnificent though in parts carelessly painted
_Madonna del Carmelo_ in the same gallery; the vast _St. Martin and St.
Christopher_ in the church of S. Rocco; the _Annunciation_ of S. Maria
degli Angeli at Murano.]

[Footnote 26: No. 108 in the Winter Exhibition at Burlington House in
1896. By Franceschini is no doubt meant Paolo degli Franceschi, whose