Landmarks in French Literature by Giles Lytton Strachey
page 83 of 173 (47%)
page 83 of 173 (47%)
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overwhelming power, carry all before them. In pure literature, the
writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought. The movement had already begun before the death of Louis. The evils at which La Bruyère had shuddered had filled the attention of more practical minds. Among these the most remarkable was FÉNELON, Archbishop of Cambray, who combined great boldness of political thought with the graces of a charming and pellucid style. In several writings, among which was the famous _Télémaque_--a book written for the edification of the young Duc de Bourgogne, the heir to the French throne--Fénelon gave expression to the growing reaction against the rigid autocracy of the government, and enunciated the revolutionary doctrine that a monarch existed for no other purpose than the good of his people. The Duc de Bourgogne was converted to the mild, beneficent, and open-minded views of his tutor; and it is possible that if he had lived a series of judicious reforms might have prevented the cataclysm at the close of the century. But in one important respect the mind of Fénelon was not in accord with the lines on which French thought was to develop for the next eighty years. Though he was among the first to advocate religious toleration, he was an ardent, even a mystical, Roman Catholic. Now one of the chief characteristics of the coming age was its scepticism--its elevation of the secular as opposed to the religious elements in society, and its utter lack of sympathy with all forms of mystical devotion. Signs of this spirit also had appeared before the end of Louis's reign. As early as 1687--within a year of the Revocation of the Edict of Nantes--FONTENELLE, the nephew of Corneille, in his _Histoire des Oracles_, attacked the miraculous basis of Christianity under the pretence of exposing the religious credulity of the ancient Greeks and Romans. In its mingling of the sprightly and the erudite, and in the |
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