main thoroughfares, and the slums; by the afternoon he was recognising
familiar faces in the town. He had twice made the classic round--along
the cliffs, over the New Bridge (which was an antique), up the hill to
the castle, through the market-place, down the High Street to the
Old Bridge. He had explored the brain of the landlord, who could
not grapple with a time-table, and who spent most of the time during
closed hours in patiently bolting the front door which G.J. was
continually opening. He had talked to the old customer who, whenever
the house was open, sat at a table in the garden over a mug of cider.
He had played through all the musical comedies, dance albums and
pianoforte albums that littered the piano. He had read the same Sunday
papers that he read in the Albany. And he had learnt the life-history
of the sole servant, a very young agreeable woman with a wedding-ring
and a baby, which baby she carried about with her when serving at
table. Her husband was in France. She said that as soon as she had
received his permission to do so she should leave, as she really could
not get through all the work of the hotel and mind and feed a baby.
She said also that she played the piano herself. And she regretted
that baby and pressure of work had deprived her of a sight of the
Russian dancers, because she had heard so much about them, and was
sure they were beautiful. This detail touched G.J.'s heart to a
mysterious and sweet and almost intolerable melancholy. He had not
made the acquaintance of fellow-guests--for there were none, save
Concepcion and Emily.

And in the evening as in the morning the weir placidly murmured, and
the river slipped smoothly between the huge jutting buttresses of the
Old Bridge; and the thought of the perpetuity of the river, in whose
mirror the venerable town was a mushroom, obsessed him, mastered
him, and made him as old as the river. He was wonder-struck