allowing for the Italian estimate of such frailties) as was the nature of
the connexion to which this attachment led, we can hardly perhaps,--taking
into account the far worse wrong from which it rescued and preserved
him,--consider it otherwise than an event fortunate both for his
reputation and happiness.

The fair object of this last, and (with one signal exception) only _real_
love of his whole life, was a young Romagnese lady, the daughter of Count
Gamba, of Ravenna, and married, but a short time before Lord Byron first
met with her, to an old and wealthy widower, of the same city, Count
Guiccioli. Her husband had in early life been the friend of Alfieri, and
had distinguished himself by his zeal in promoting the establishment of a
National Theatre, in which the talents of Alfieri and his own wealth were
to be combined. Notwithstanding his age, and a character, as it appears,
by no means reputable, his great opulence rendered him an object of
ambition among the mothers of Ravenna, who, according to the too frequent
maternal practice, were seen vying with each other in attracting so rich a
purchaser for their daughters, and the young Teresa Gamba, then only
eighteen, and just emancipated from a convent, was the selected victim.

The first time Lord Byron had ever seen this lady was in the autumn of
1818, when she made her appearance, soon after her marriage, at the house
of the Countess Albrizzi, in all the gaiety of bridal array, and the first
delight of exchanging a convent for the world. At this time, however, no
acquaintance ensued between them;--it was not till the spring of the
present year that, at an evening party of Madame Benzoni's, they were
introduced to each other. The love that sprung out of this meeting was
instantaneous and mutual,--though with the usual disproportion of
sacrifice between the parties; such an event being, to the man, but one of
the many scenes of life, while, with woman, it generally constitutes the