Soul of a Bishop by H. G. (Herbert George) Wells
page 60 of 308 (19%)
page 60 of 308 (19%)
![]() | ![]() |
|
Neither the bishop's insomnia nor his incertitudes about himself and his
faith developed in a simple and orderly manner. There were periods of sustained suffering and periods of recovery; it was not for a year or so that he regarded these troubles as more than acute incidental interruptions of his general tranquillity or realized that he was passing into a new phase of life and into a new quality of thought. He told every one of the insomnia and no one of his doubts; these he betrayed only by an increasing tendency towards vagueness, symbolism, poetry and toleration. Eleanor seemed satisfied with his exposition; she did not press for further enlightenment. She continued all her outward conformities except that after a time she ceased to communicate; and in September she went away to Newnham. Her doubts had not visibly affected Clementina or her other sisters, and the bishop made no further attempts to explore the spiritual life of his family below the surface of its formal acquiescence. As a matter of fact his own spiritual wrestlings were almost exclusively nocturnal. During his spells of insomnia he led a curiously double existence. In the daytime he was largely the self he had always been, able, assured, ecclesiastical, except that he was a little jaded and irritable or sleepy instead of being quick and bright; he believed in God and the church and the Royal Family and himself securely; in the wakeful night time he experienced a different and novel self, a bare-minded self, bleakly fearless at its best, shamelessly weak at its worst, critical, sceptical, joyless, anxious. The anxiety was quite the worst element of all. Something sat by his pillow asking grey questions: "What are you doing? Where are you going? Is it really well with the children? Is it really well with the church? Is it really well with the country? Are you indeed doing anything at all? Are you anything more than an actor wearing a costume in an archaic play? The people turn |
|