Scott. There are passages in these Essays which remind one strongly of
his brother, the Lecturer of twenty-five or thirty years later. Take
this as an example:--

"Men and mind are my studies. I need no observatory high in air to
aid my perceptions or enlarge my prospect. I do not want a costly
apparatus to give pomp to my pursuit or to disguise its inutility.
I do not desire to travel and see foreign lands and learn all
knowledge and speak with all tongues, before I am prepared for my
employment. I have merely to go out of my door; nay, I may stay at
home at my chambers, and I shall have enough to do and enjoy."

The feeling of this sentence shows itself constantly in Emerson's poems.
He finds his inspiration in the objects about him, the forest in which
he walks; the sheet of water which the hermit of a couple of seasons
made famous; the lazy Musketaquid; the titmouse that mocked his weakness
in the bitter cold winter's day; the mountain that rose in the horizon;
the lofty pines; the lowly flowers. All talked with him as brothers and
sisters, and he with them as of his own household.

The same lofty idea of friendship which we find in the man in his
maturity, we recognize in one of the Essays of the youth.

"All men of gifted intellect and fine genius," says Charles Emerson,
"must entertain a noble idea of friendship. Our reverence we are
constrained to yield where it is due,--to rank, merit, talents. But
our affections we give not thus easily.

'The hand of Douglas is his own.'"