especially by Isabella, his native Sovereign.

In the many struggles which were constantly occurring between the
Spaniards and Moors, the former had become acquainted with the light
yet beautiful architecture and varied skill in all the arts peculiar
to the latter, and displayed their improved taste in both public and
private buildings. Morales, in addition to natural taste, possessed
great affluence, which enabled him to evince yet greater splendor in
his establishment than was usual to his countrymen.

There was one octangular room, the large panels forming the walls of
which were painted, each forming a striking picture of the principal
events in the history of Spain, from the descent of Don Palayo, and
the mountaineers of Asturias, who struck the first blow for Spanish
freedom, to the accession of Ferdinand and Isabella. The paintings
were not detached pictures, but drawn and colored on the wall itself,
which had been previously prepared for the reception of the colors by
a curious process, still in use among the Orientals.[A] The colors,
when dry, were rubbed, till the utmost brilliancy was attained; and
this, combined as it was with a freedom and correctness of drawing,
produced an effect as striking then as it would be novel to modern
eyes. One side, divided into three compartments, contained in one a
touching likeness of the young Alfonso. His figure, rather larger than
life, was clothed in armor, which shone as inlaid with gold. His head
was bare, and his bright locks flowed over his shoulders as he wore
them in life. His brilliant eye, his lofty brow, and peculiarly sweet
expression of mouth, had been caught by the limner, and transferred to
his painting in all their original beauty. Round him were grouped
some of the celebrated cavaliers of his party; and the back-ground,
occupied by troops not in regular battalions, but as impelled by some