"I'm going to paint you out," said Harringay. "I don't want to hear
all that Tommy Rot. If you think just because I'm an artist by trade
I'm going to talk studio to you, you make a precious mistake."

"One minute," said the picture, evidently alarmed. "I want to make
you an offer--a genuine offer. It's right what I'm saying. You lack
inspirations. Well. No doubt you've heard of the Cathedral of Cologne,
and the Devil's Bridge, and--"

"Rubbish," said Harringay. "Do you think I want to go to perdition
simply for the pleasure of painting a good picture, and getting it
slated. Take that."

His blood was up. His danger only nerved him to action, so he says.
So he planted a dab of vermilion in his creature's mouth. The Italian
spluttered and tried to wipe it off--evidently horribly surprised. And
then--according to Harringay--there began a very remarkable struggle,
Harringay splashing away with the red paint, and the picture wriggling
about and wiping it off as fast as he put it on. "_Two_ masterpieces,"
said the demon. "Two indubitable masterpieces for a Chelsea artist's
soul. It's a bargain?" Harringay replied with the paint brush.

For a few minutes nothing could be heard but the brush going and the
spluttering and ejaculations of the Italian. A lot of the strokes he
caught on his arm and hand, though Harringay got over his guard often
enough. Presently the paint on the palette gave out and the two
antagonists stood breathless, regarding each other. The picture was
so smeared with red that it looked as if it had been rolling about
a slaughterhouse, and it was painfully out of breath and very
uncomfortable with the wet paint trickling down its neck. Still, the