Here we are in London again,--Francesca, Salemina, and I. Salemina
is a philanthropist of the Boston philanthropists limited. I am an
artist. Francesca is- It is very difficult to label Francesca.
She is, at her present stage of development, just a nice girl; that
is about all: the sense of humanity hasn't dawned upon her yet; she
is even unaware that personal responsibility for the universe has
come into vogue, and so she is happy.

Francesca is short of twenty years old, Salemina short of forty, I
short of thirty. Francesca is in love, Salemina never has been in
love, I never shall be in love. Francesca is rich, Salemina is
well-to-do, I am poor. There we are in a nutshell.

We are not only in London again, but we are again in Smith's private
hotel; one of those deliciously comfortable and ensnaring hostelries
in Mayfair which one enters as a solvent human being, and which one
leaves as a bankrupt, no matter what may be the number of ciphers on
one's letter of credit; since the greater one's apparent supply of
wealth, the greater the demand made upon it. I never stop long in
London without determining to give up my art for a private hotel.
There must be millions in it, but I fear I lack some of the
essential qualifications for success. I never could have the heart,
for example, to charge a struggling young genius eight shillings a
week for two candles, and then eight shillings the next week for the
same two candles, which the struggling young genius, by dint of
vigorous economy, had managed to preserve to a decent height. No, I
could never do it, not even if I were certain that she would
squander the sixteen shillings in Bond Street fripperies instead of
laying them up against the rainy day.