not of green fields but of his blue lump of lapis-lazuli; and the last
word of all is alive only with senile luxury and the malice of perishing
recollection.

FOOTNOTES:



[Footnote 30: _In a Balcony_, published in _Men and Women_, 1855, is
said to have been written two years previously at the Baths of Lucca.]

[Footnote 31: I had written the above--and I leave it as I wrote
it--before I noticed the following quoted from the letter of a friend by
Mrs Arthur Bronson in her article Browning in Venice: "Browning seemed
as full of dramatic interest in reading 'In a Balcony' as if he had just
written it for our benefit. One who sat near him said that it was a
natural sequence that the step of the guard should be heard coming to
take Norbert to his doom, as, with a nature like the queen's, who had
known only one hour of joy in her sterile life, vengeance swift and
terrible would follow on the sudden destruction of her happiness. 'Now I
don't quite think that,' answered Browning, as if he were following out
the play as a spectator. 'The queen has a large and passionate
temperament, which had only once been touched and brought into intense
life. She would have died by a knife in her heart. The guard would have
come to carry away her dead body.' 'But I imagine that most people
interpret it as I do,' was the reply. 'Then,' said Browning, with quick
interest, 'don't you think it would be well to put it in the stage
directions, and have it seen that they were carrying her across the back
of the stage?'"]