The Perfect Tribute by Mary Raymond Shipman Andrews
page 6 of 21 (28%)
page 6 of 21 (28%)
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graceful, sure of voice and of movement--took his seat, a tall, gaunt
figure detached itself from the group on the platform and slouched slowly across the open space and stood facing the audience. A stir and a whisper brushed over the field of humanity, as if a breeze had rippled a monstrous bed of poppies. This was the President. A quivering silence settled down and every eye was wide to watch this strange, disappointing appearance, every ear alert to catch the first sound of his voice. Suddenly the voice came, in a queer, squeaking falsetto. The effect on the audience was irrepressible, ghastly. After Everett's deep tones, after the strain of expectancy, this extraordinary, gaunt apparition, this high, thin sound from the huge body, were too much for the American crowd's sense of humor, always stronger than its sense of reverence. A suppressed yet unmistakable titter caught the throng, ran through it, and was gone. Yet no one who knew the President's face could doubt that he had heard it and had understood. Calmly enough, after a pause almost too slight to be recognized, he went on, and in a dozen words his tones had gathered volume, he had come to his power and dignity. There was no smile now on any face of those who listened. People stopped breathing rather, as if they feared to miss an inflection. A loose-hung figure, six feet four inches high, he towered above them, conscious of and quietly ignoring the bad first impression, unconscious of a charm of personality which reversed that impression within a sentence. That these were his people was his only thought. He had something to say to them; what did it matter about him or his voice? "Fourscore and seven years ago," spoke the President, "our fathers brought forth on this continent a new nation, conceived in liberty and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any |
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