Social Pictorial Satire by George Du Maurier
page 13 of 56 (23%)
page 13 of 56 (23%)
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table, by his; his monogram as it was carved by him is J.L. under a
leech in a bottle, dated 1854; and close by on the same board are the initials W.M.T. I flatter myself that convivially, at least, my small D.M., carved in impenetrable oak, will go down to posterity in rather distinguished company! If ever there was a square English hole, and a square English peg to fit it, that hole was _Punch_, and that peg was John Leech. He was John Bull himself, but John Bull refined and civilised--John Bull polite, modest, gentle--full of self-respect and self-restraint, and with all the bully softened out of him; manly first and gentlemanly after, but very soon after; more at home perhaps in the club, the drawing-room, and the hunting-field, in Piccadilly and the Park, than in the farm or shop or market-place; a normal Englishman of the upper middle class, with but one thing abnormal about him, viz., his genius, which was of the kind to give the greater pleasure to the greater number--and yet delight the most fastidious of his day--and I think of ours. One must be very ultra-aesthetic, even now, not to feel his charm. He was all of a piece, and moved and worked with absolute ease, freedom, and certainty, within the limits nature had assigned him--and his field was a very large one. He saw and represented the whole panorama of life that came within his immediate ken with an unwavering consistency, from first to last; from a broadly humorous, though mostly sympathetic point of view that never changed--a very delightful point of view, if not the highest conceivable. |
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