Social Pictorial Satire by George Du Maurier
page 30 of 56 (53%)
page 30 of 56 (53%)
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Scotch tweed was good enough for him in town and country alike. Though a Tory in politics, he was democratic in his tastes and habits. He liked to smoke his short black pipe on the tops of omnibuses; he liked to lay and light his own fire and cook his mutton-chop upon it. He had a passion for music and a beautiful voice, and sang with a singular pathos and charm, but he preferred the sound of his bagpipes to that of his own singing, and thought that you must prefer it too! He was for ever sketching in pen and ink, indoors and out--he used at one time to carry a little ink-bottle at his buttonhole, and steel pens in his waistcoat-pocket, and thus equipped he would sketch whatever took his fancy in his walks abroad--houses, 'busses, cabs, people--bits of street and square, scaffoldings, hoardings with advertisements--sea, river, moor, lake, and mountain--what has he not sketched with that masterly pen that had already been so carefully trained by long and arduous practice in a life-school? His heart was in his work from first to last; beyond his bagpipes and his old books (for he was a passionate reader), he seemed to have no other hobby. His facility in sketching became phenomenal, as also his knowledge of what to put in and what to leave out, so that the effect he aimed at should be secured in perfection and with the smallest appearance of labour. Among his other gifts he had a physical gift of inestimable value for such work as ours--namely, a splendid hand--a large, muscular, well-shaped, and most workman-like hand, whose long deft fingers could move with equal ease and certainty in all directions. I have seen it at work--and it was a pleasure to watch its acrobatic dexterity, its unerring precision of touch. It could draw with nonchalant facility |
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