Social Pictorial Satire by George Du Maurier
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page 9 of 56 (16%)
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clear, honest, wholesome, innocent, intellectual, and most industrious
British bohemia, with lots of tobacco, lots of good music, plenty of talk about literature and art, and not too much victuals or drink. Many of its denizens, that were, have become Royal Academicians or have risen to fame in other ways; some have had to take a back seat in life; surprisingly few have gone to the bad. This world, naturally, was not Leech's; if it had ever been, I doubt; his bohemia, if he ever had lived in one, had been the bohemia of medicine, not of art, and he seemed to us then to be living on social heights of fame and sport and aristocratic splendour where none of us dreamed of seeking him--and he did not seek us. We hated and despised the bloated aristocracy, just as he hated and despised foreigners without knowing much about them; and the aristocracy, to do it justice, did not pester us with its obtrusive advances. But I never heard Leech spoken of otherwise in bohemia than with affectionate admiration, although many of us seemed to think that his best work was done. Indeed, his work was becoming somewhat fitful in quality, and already showed occasional signs of haste and illness and fatigue; his fun was less genial and happy, though he drew more vigorously than ever, and now and again surprised us by surpassing himself, as in his series of Briggs in the Highlands a-chasing the deer. All that was thirty years ago and more. I may say at once that I have reconsidered the opinion I formed of John Leech at that time. Leech, it is true, is by no means the one bright particular star, but he has recovered much of his lost first magnitude: if he shines more by what he has to say than by his manner of saying it, I have come to think that that is the best thing of the two to shine by, if you cannot shine by both; and I find that his manner was absolutely what it |
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