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The Renaissance of the Vocal Art by Edmund Myer
page 15 of 86 (17%)


ARTICLE FIVE.

THE COMING SCHOOL, OR SYSTEM.


This is an age of progress; and, as we have said, many educators are making
a bold stand for natural, common-sense methods. The trend of the higher
thought of the vocal profession is away from artificiality, and in the
direction of naturalness.

The coming school, or system, of the twentieth century will undoubtedly
find its form, its power, its expressional and artistic force and value,
its home, its life, in America. The old country is too much in the toils,
too much in the ruts of tradition; hence natural forces are suppressed, and
artificiality reigns supreme in the training of the voice. While this is
not true in regard to the strictly aesthetic side of the question, it is
painfully true as far as the fundamental principles of voice development
are concerned. Of course we are glad to say there are bright and shining
exceptions to this rule in all lands, but to the new country we must
undoubtedly look for the new school.

So far the world has produced but two great teachers. The first of these is
Nature; the second is Common Sense. Nature lays down the fundamental
principles of voice; Common Sense formulates the devices for development
according to these principles. Therefore we say, Go to Nature and learn of
her, and use Common Sense in studying and developing her principles. The
nearer the approach to Nature, the higher the art; hence the new school
must be founded upon artistic laws which are Nature's laws, and not upon
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