The Renaissance of the Vocal Art by Edmund Myer
page 15 of 86 (17%)
page 15 of 86 (17%)
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ARTICLE FIVE. THE COMING SCHOOL, OR SYSTEM. This is an age of progress; and, as we have said, many educators are making a bold stand for natural, common-sense methods. The trend of the higher thought of the vocal profession is away from artificiality, and in the direction of naturalness. The coming school, or system, of the twentieth century will undoubtedly find its form, its power, its expressional and artistic force and value, its home, its life, in America. The old country is too much in the toils, too much in the ruts of tradition; hence natural forces are suppressed, and artificiality reigns supreme in the training of the voice. While this is not true in regard to the strictly aesthetic side of the question, it is painfully true as far as the fundamental principles of voice development are concerned. Of course we are glad to say there are bright and shining exceptions to this rule in all lands, but to the new country we must undoubtedly look for the new school. So far the world has produced but two great teachers. The first of these is Nature; the second is Common Sense. Nature lays down the fundamental principles of voice; Common Sense formulates the devices for development according to these principles. Therefore we say, Go to Nature and learn of her, and use Common Sense in studying and developing her principles. The nearer the approach to Nature, the higher the art; hence the new school must be founded upon artistic laws which are Nature's laws, and not upon |
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