flight of steps, and, from the passage to which this leads, we enter
the Hall. It was built in the first decade of the seventeenth century,
and the screen over the entrance with the musicians' gallery behind
belongs to that period.

[Illustration: THE ENTRANCE GATEWAY OF TRINITY COLLEGE. Trinity was
expanded by Henry III from the "great college" built by Edward III.
The gateway dates from about 1535.]

Unfortunately, the panelling along the sides has replaced the old
woodwork in recent times. This beautiful refectory resembles in many
ways the Middle Temple Hall in London. The measurements are similar,
it has bay windows projecting at either end of the high table, a
minstrels' gallery at the opposite end, and well into the last century
was heated by a great charcoal brazier in the centre. The fumes found
their way into every corner of the hall before reaching their outlet
in the lantern. Among the numerous portraits on the walls there are
several of famous men. Among them we find Dryden, Vaughan, Thompson
(by Herkomer), the Duke of Gloucester (by Sir Joshua Reynolds), Coke
(the great lawyer), Thackeray, Tennyson (by G.F. Watts), Cowley and
Bentley. On the other side of the entrance passage are the kitchens
with the combination rooms above, where more notable portraits hang.
The remainder of the court is composed of living-rooms broken by the
Queen's Gate, a fine tower built in 1597 facing King Edward's Gate. It
has a statue of Elizabeth in a niche and the arms of Nevile and
Archbishop Whitgift.

Nevile's Court is approached by the passage giving entrance to the
hall. The eastern half was built when Nevile was master between 1593
and 1615, and the library designed by Sir Christopher Wren occupies