Essays Æsthetical by George H. (George Henry) Calvert
page 54 of 181 (29%)
page 54 of 181 (29%)
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Here is a brilliant example of poetic imagination, the
intellect urged to its finest action to satisfy the feeling which delights in the grand, the select, the beautiful. "Silent, upon a peak in Darien." What an outlook! What a solemn, mysterious, elevating inward moment it creates in us! To ascend to that peak, to carry the reader thither with him, that is the flight of a great poet, of one who has been--as in that choice poem, "The Prelude," Wordsworth, with an electric stroke of poetic imagination, says of Newton-- "Voyaging through strange seas of thought, alone." This vigor of flight in the poet, bearing on his wing the reader, whom he ushers to new, sudden vistas, is a test of poetic genius. Some poets never carry you to heights, but rather make you feel while reading them as if you were moving through shut-in valleys: their verse wants sky. They are not poetically imaginative, are not strung for those leaps which the great poet at times finds it impossible not to make. They have more poetic fancy than poetic imagination. Poetic fancy is a thin flame kindled deliberately with gathered materials; poetic imagination is an intense flash born unexpectedly of internal collisions. Fancy is superficial and comparatively short-sighted; imagination is penetrative and far-sighted, bringing together things widely sundered, apparently diverse and opposite. Fancy divides, individualizes; imagination compounds, builds, globes. Fancy is not so broad or so keen or so warm or so bounding as imagination; is comparatively tame and cold and quiet. Imagination is synthetical. Large exhibitions of poetic imagination are rare even in |
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