O'er the First Charles the shades of sorrows nigh?
That now on furrow'd front of Rembrandt gleams,
Now breathes the rose of life and beauty there,
In the soft eye of Henrietta dreams,
And fills with fire the glance of Gondomar?


VII.

Here to Salvator's solemn pencil true,
Huge oaks swing rudely in the mountain blast;
Here grave Poussin on gloomy canvass threw
The lights that steal from clouds of tempest past;
And see! from Canaletti's glassy wave,
Like Eastern mosques, patrician Venice rise;
Or marble moles that rippling waters lave,
Where Claude's warm sunsets tinge Italian skies!


VIII.

Nor let the critic frown such themes arraign,
Here sleep the mellow lyre's enchanting keys;
Here the wrought table's darkly polish'd plain,
Proffers light lore to much-enduring ease;
Enamelled clocks here strike the silver bell;
Here Persia spreads the web of many dies;
Around, on silken couch, soft cushions swell,
That Stambol's viziers proud might not despise.