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Salammbo by Gustave Flaubert
page 12 of 386 (03%)
central door opened, and a woman, Hamilcar's daughter herself, clothed
in black garments, appeared on the threshold. She descended the first
staircase, which ran obliquely along the first story, then the second,
and the third, and stopped on the last terrace at the head of the galley
staircase. Motionless and with head bent, she gazed upon the soldiers.

Behind her, on each side, were two long shadows of pale men, clad in
white, red-fringed robes, which fell straight to their feet. They had no
beard, no hair, no eyebrows. In their hands, which sparkled with rings,
they carried enormous lyres, and with shrill voice they sang a hymn to
the divinity of Carthage. They were the eunuch priests of the temple of
Tanith, who were often summoned by Salammbo to her house.

At last she descended the galley staircase. The priests followed her.
She advanced into the avenue of cypress, and walked slowly through the
tables of the captains, who drew back somewhat as they watched her pass.

Her hair, which was powdered with violet sand, and combined into the
form of a tower, after the fashion of the Chanaanite maidens, added to
her height. Tresses of pearls were fastened to her temples, and fell to
the corners of her mouth, which was as rosy as a half-open pomegranate.
On her breast was a collection of luminous stones, their variegation
imitating the scales of the murena. Her arms were adorned with diamonds,
and issued naked from her sleeveless tunic, which was starred with
red flowers on a perfectly black ground. Between her ankles she wore a
golden chainlet to regulate her steps, and her large dark purple mantle,
cut of an unknown material, trailed behind her, making, as it were, at
each step, a broad wave which followed her.

The priests played nearly stifled chords on their lyres from time to
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