Salammbo by Gustave Flaubert
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page 32 of 386 (08%)
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a line of walls resting on white rocks and blending with them. Suddenly
the entire city rose; blue, yellow, and white veils moved on the walls in the redness of the evening. These were the priestesses of Tanith, who had hastened hither to receive the men. They stood ranged along the rampart, striking tabourines, playing lyres, and shaking crotala, while the rays of the sun, setting behind them in the mountains of Numidia, shot between the strings of their lyres over which their naked arms were stretched. At intervals their instruments would become suddenly still, and a cry would break forth strident, precipitate, frenzied, continuous, a sort of barking which they made by striking both corners of the mouth with the tongue. Others, more motionless than the Sphynx, rested on their elbows with their chins on their hands, and darted their great black eyes upon the army as it ascended. Although Sicca was a sacred town it could not hold such a multitude; the temple alone, with its appurtenances, occupied half of it. Accordingly the Barbarians established themselves at their ease on the plain; those who were disciplined in regular troops, and the rest according to nationality or their own fancy. The Greeks ranged their tents of skin in parallel lines; the Iberians placed their canvas pavilions in a circle; the Gauls made themselves huts of planks; the Libyans cabins of dry stones, while the Negroes with their nails hollowed out trenches in the sand to sleep in. Many, not knowing where to go, wandered about among the baggage, and at nightfall lay down in their ragged mantles on the ground. The plain, which was wholly bounded by mountains, expanded around them. Here and there a palm tree leaned over a sand hill, and pines and oaks flecked the sides of the precipices: sometimes the rain of a storm would |
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