Symphonies and Their Meaning; Third Series, Modern Symphonies by Philip H. Goepp
page 45 of 287 (15%)
page 45 of 287 (15%)
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"He cries out with terror, in agony grasping, Yet ever the mane of his Pegasus clasping, They heavenward spring; Each leap that he takes with fresh woe is attended; He totters--falls lifeless--the struggle is ended-- And rises as King!"[A] [Footnote A: The English verses are taken for the most part from the translation of F. Corder.] The original _Allegro agitato_ in broad 6/4 time (aptly suggestive of the unbridled motion) grows [Music: (In brass and strings with lower 8ve.) (With constant clattering higher strings and chord of low wind on the middle beat)] more rapid into an _alla breve_ pace (in two beats), with dazzling maze of lesser rhythms. Throughout the work a song of primeval strain prevails. Here and there a tinge of foreshadowing pain appears, as the song sounds on high, _espressivo dolente_. But the fervor and fury of movement is undiminished. The brief touch of pathos soon merges in the general heroic mood. Later, the whole motion ceases, "the horse sinks and dies," and now an interlude sings a pure plaint (in the strain of the main motive). Then, _Allegro_, the martial note clangs in stirring trumpet and breaks into formal song of war, _Allegro marziale_. [Music: (Brass and strings) |
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