Symphonies and Their Meaning; Third Series, Modern Symphonies by Philip H. Goepp
page 56 of 287 (19%)
page 56 of 287 (19%)
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an entrancing bewilderment, then yields to other symbols and visions.
Still rises the thread of pulsing strings to higher empyraean and then floats forth in golden horns, as we hang in the heavens, a melody tenderly solemn, as of pent delight, or perhaps of a more fatal hue, with the solar orb encircled by his satellites. Still on to a higher pole spins the dizzy path; then at the top of the song, it turns in slow descending curve. Almost to Avernus seems the gliding fall when the first melody rings anew. But there is now an anxious sense that dims the joy of motion and in the [Music: (With trembling of violins in high B flat) (Horns)] returning first motive jars the buoyant spring. Through the maze of fugue with tinge of terror presses the fatuous chase, when--crash comes the shock of higher power. There is a pause of motion in the din and a downward flight as of lifeless figure. Now seems the soul of the sweet melody to sing, in purest dirge, without the shimmer of attendant motion save a ghostly shadow of the joyous symbol. _THE YOUTH OF HERCULES_ The "Legend" is printed in the score as follows: "Fable tells us that upon entering into life Hercules saw the two paths |
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